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Monday, January 16, 2017

Made in Europe - Elizabeth B

Elizabeth Byrom, France -  Dinan Sous la Pluie

Dinan, a charming town in Brittany, France, is as beautiful in the rain as it is in sunlight. Luminescent colors, curved roof lines, and stone chimneys compel the artist to try to capture its essence.  In this quilt the scene is depicted with silks dyed lilac and blue violet with fiber reactive dyes.

Detail


Screen printing, mono printing, resists, fabrics dyed by the artist.

Silks, cotton, fusible web, variegated threads,

Sunday, January 15, 2017

Made in Europe - Joke

Joke Buursma, Ireland - Ogham, Old Celtic Script II

This work is an abstract impression of the Ogham script.

Ogham, an ancient rune-like writing system, is carved in stones across Ireland and Britain. The Ogham script recorded the earliest Old Irish texts dating between the 3rd and the 6th century CE. Mostly they are genealogical inscriptions in the form of "X son of Y" on corners of large stone slabs. When inscribed on stones, Ogham is written vertically from bottom to top. The symbols are made up of single strokes, each one represented by one, two, three, four or five strokes.

Detail


Painting using oil sticks, machine and hand quilting.

Cotton fabrics, mainly self hand dyed; cotton wadding; cotton threads.

Saturday, January 14, 2017

Made in Europe - Eszter

Eszter Bornemisza, Hungary - Ab Ovo

In 1996 I visited an art quilt exhibition in Lyon first time in my life. It was a revelation that started me experimenting with making contemporary quilts. This piece is a reflection on the twenty years of my quilting. I collaged some detail shots of my earlier pieces and combined them  with my recently created airy netted material.
Detail


Printing, painting, dyeing, layering, piecing, machine quilting.

Cotton, tissue paper, newspaper, threads.

Friday, January 13, 2017

Made in Europe - Khurshid

Khurshid Bamboat, UK - This Green and Pleasant Land

I challenged myself to use a restricted colour palette – this is the result. As a young child, I 'commuted' at least three times a year from 1951 to 1958 between Karachi and London and the cloth reminded me of what I used to see from the air.  To this day, flying over England still reminds me of those 'patchwork' fields.
Detail

Scraped background and then thickened dyes have been layered using brushes, credit card and sponges to give the required texture and interest.  Machine quilted and hand embellished.

Cotton fabric; machine threads of varying thicknesses and hand dyed cotton thread.

Tuesday, December 20, 2016

Elizabeth's Contributions to SAQA


Thank you, Elizabeth, for participating in SAQA Auctions. It is a nice way to donate to the SAQA funds which enable SAQA exhibitions to travel.

Mes participations aux auctions de SAQA
TRUNK SHOW 2017 : oeuvre  *grisaille*



BENEFIT AUCTION : oeuvre *couleurs neigeuses* vendue en faveur de SAQA - 2016


Je vous souhaite de très belles fêtes de fin d’année et joyeux Noël très belle année 2017.

Elizabeth MICHELLOD-DUTHEIL




Sunday, November 20, 2016

Not one but two - WOW - Leah Higgins

Congratulations, Leah, on getting two quilts into such prestigious exhibitions. Keep dancing!

Quilt National '17

Ruins 7

(180cm wide x 249cm high)


Artists Statement:
Ruins 7 is part of a series that explores what happens to buildings when we stop using them, when we leave them behind. Glass panes crack, water pipes burst, wind pulls at the fixtures and fittings. Rust and moss stain the walls.
We stop using buildings for many reasons. This piece references buildings and cities destroyed by war.
London, Dresden, Hiroshama, Lebanon, New York. Hate and war destroys lives. It destroys buildings and tear apart cities. Do we re-build? Or is the thought of burying that hate under new buildings too painful? Should we allow nature to reclaim the buildings, to cover the ground, to soothe the pain?
Techniques and Materials: Artists own printed cotton fabrics: breakdown printing, and other surface design techniques. Pieced, layered and machine quilted.
SAQA Layered Voices
Happy today?
(60cm wide x 389cm high)

Artists Statement:
Happy today? was created following a dark, difficult period caring for a loved one with severe depression. Constantly checking; asking ‘Are you OK?’, ‘How do you feel?’. Driven by my need for reassurance, my fear of the unthinkable. Burying my own feelings from him. From others. From myself. Stressful, exhausting days and nights. Occasional bitter sweet moments of joy followed by guilt. Gallows humour breaking through on the darkest of days.
Happy today? can be suspended from the ceiling and viewed from both sides or hung on a wall revealing only the pieced side. The piece billows and pleats on the floor hiding parts, hiding layers of emotion.

Techniques and Materials: Artists own printed cotton fabrics: breakdown printing, screen printing and other surface design techniques. Double sided pieced and whole-cloth construction, layered and stitched. Integral hanging loop.

Sunday, November 6, 2016

Katriina Flensburg - her story of loss

As you may know the collection that I exhibited together with Jette Clover at the OEQC of 2015 disappeared after it was handed over by us to a OEQC staff-member for further freight (initially first to their office/wear-house and then back to Sweden). The whole experience has been very draining traumatic. To get a needed closure,  I published recently a web-exhibition (hosted by the association of Nordic Textile Art) where I  present the lost pieces and addressed some issues based on my experience.



Please use the link below which takes you to an introduction to my exhibition.



All the best,
Katriina

You can also visit Katriina's blog at www.katriinaflensburg.se