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Wednesday, October 8, 2014

Exhibition inspired by Bauhaus in Alfeld, Germany



Inspiration Bauhaus - Textile Art

Uta Lenk, Mary Schliestedt, Gabi-Julia Weimer

Opening: Sunday, 12 October 2014, 11:30.

Duration: October 13, 2014 - December 19, 2014
Opening hours: Daily  10.00 – 16.00 Uhr

UNESCO-WELTERBE FAGUS-WERK · HANNOVERSCHE STR. 58 · 31061 ALFELD


Monday, October 6, 2014

This is SAQA Europe/Middle East: The United Kingdom

Annette Morgan

I feel like I have been sewing all my life! My father taught me to sew and my mother taught me  the finer points when it came to dressmaking and using the sewing machine. The knowledge carries on with my daughter who also sews and makes quilts.

Annette Morgan, Pay the Ferryman, detail

I have been quilt making for 22 years, and I love creating my own work, and although I started using a lot of applique making quite pictorial quilts, I now like to dye, paint and screen print and make quite abstract pieces. I am inspired by what I see around me, and always have my camera with me which led me to experiment with image transfer as in  Pay the Ferryman.

Annette Morgan, Sticks and Stones tryptich


Last year I put together a body of work called "Sticks and Stones" which reflects where I live. We have a flint cottage, in an area known as the Brecks, in Norfolk, UK where there are many trees in the forest, in quite a flat landscape. I find it is good to work to a theme, as you then have a body of work to exhibit whether alone or with friends. I don't feel I have a "style" but others do, I play around with what inspires me at the time, and I have so much I want to do, I am always sewing.

Sunday, October 5, 2014

SAQA is Seeking Volunteers for Translations

Do you speak/write a non-English language well? Some SAQA members do not understand English well enough to be completely confident about participating in SAQA's events/calls for entry, and feel left out.


As you may have read in one of Martha Sielman's recent e-blasts, SAQA is searching for volunteers who would be willing to translate SAQA's various forms of communication into other languages. Would you be willing to volunteer to help translate the SAQA Journal, call for entries or other SAQA website pages? If so please  contact Christine Hager-Braun(Christine@soularpowerfabricart.com), the new Translation Liaison on the Membership Committee.  

Christine says:
Volunteers may commit short-term to translate only small sections of the website or commit long-term to translate updates to the website or new call for entries.

We are currently looking for translators with language skills in Spanish, Mandarin Chinese, Quebec French and German.

Saturday, October 4, 2014

This is SAQA Europe/Middle East: The United Kingdom

Olga Norris


I stitch without a frame and without a thimble.


I now live in Southern England, but I have always felt like a full European.  With a Scottish father and a Greek mother I used to travel by train from one country to the other every year from 1949 until the late 60s.  As a daughter, and a Greek girl I was involved with stitching from a very young age, but it did not become a serious pursuit until I retired from my career in publishing.
In the early 80s I lived for a couple of years in New Hampshire, USA, and it was there that I first encountered art quilts, but it was the combination of using IT with hand stitching which really got me going as a full time stitcher in this new century.


Using the computer is a vital component of my work.

My quilts are not really derived from traditional patchwork.  They are images which I have collaged digitally, then printed onto cloth, and then hand stitched.  I make more small pieces than large quilts, but I usually have a large piece in progress while being distracted by small designs.
The work reflects my emotions and expresses what is occupying my thoughts at the time – or what was in my mind when I developed the design.  The big work can take some years to complete, and that is why I make lots of small pieces.

Curiosity (2012, 185 x 125 cm)

The stitches I use tend to be either running or seed stitch, both of which I find to be expressive.  I use mostly cotton for the quilts, but I also use silk which I find interestingly versatile.  With heat transfer the silk becomes stiffly translucent, making a beautiful top layer as in the quilt Flow below.

Flow (2012, 104 x 81 cm)

Flow (detail)


Over the past couple of years I have been involved with traditional printmaking, which I use as a starting point for new work.  The smaller piece below was derived from a monoprint.

Reach out (2013, 28.5 x 55.5 cm)

On my blog I write about what I’m up to: www.threadingthoughts.blogspot.co.uk

And to see more of my work visit my website: www.olganorris.com

Wednesday, October 1, 2014

Retrospective exhibition Elizabeth Michellod-Dutheil

* retrospective exhibition 20 years of textile designs *
Elizabeth MICHELLOD-DUTHEIL

150 textile works hung, Textile Art and Patchwork.
maé - Sembrancher / Valais - Switzerland
until November 30th
Open Wednesday to Sunday from 14.30-18.30
Closed from October 8thth to 19 (exhibition and lounge in the Luberon- Château de la Tour d'Aigues / F)
 
exposition *rétrospective 20 ans de créations textiles*
d'élizabeth MICHELLOD-DUTHEIL
150 oeuvres textiles accrochées , Art Textile et Patchwork.
maé - Sembrancher/Valais
jusqu'au 30 novembre
et exposition permanente Reines du Valais
Ouvert du mercredi au dimanche de 14h30-18h30
Fermé du 8 au 19 octobre (exposition et salon dans le Luberon- Château de la Tour d'Aigues/F)

Sunday, September 28, 2014

The Grand Gallery of SAQA Europe/Middle East's Contributions to the Benefit Auction 2014

Fenella Davies (Italy)

I've been making quilts based on Venice for about 10 years - mostly based on the effects of age and time on the buildings and walls, coupled with the reflections the waters of the canals make on the palazzos and architecture there.

The Sunken Boat - Detail 1

My current work has been moving more into collage - a lot of layering of fabrics, which I have already hand stitched, and then heavily painted over.  This piece came about from watching dredging of the lagoon in Venice, and the sudden slow appearance of something being revealed just under the water - the sunken boat.....and the question - was it an accident, or deliberate?

The Sunken Boat - Detail 2

This piece is cotton, hand stitched, then painted heavily over,  and ripped to reveal 'the boat'.


This quilt will be up for auction in section 3 of the Benefit Auction, beginning on Sept. 29th . Help support SAQA, and at the same time build your art quilt collection by bidding often!

Saturday, September 27, 2014

The Grand Gallery of SAQA Europe/Middle East's Contributions to the 2014 Benefit Auction

Sandy Snowden (GB)

Ramshackled Houses 
My piece for the SAQA Benefit Auction is a continuation of my ‘Ramshackle’ series in which I have been exploring Neighbourhood. I have been using houses with a sketchy look to develop the character of a particular neighbourhood.
Past works in this series have explored proximity and positioning of houses. I found I could show estrangement or togetherness, depending on the lean of the houses and the placement of ‘accessories’ like a path or smoke from the chimney.
Along with these ideas, I am exploring colour. Does the fabric used as background contribute to the mood or relationship of the neighbours? For instance, in Ramshackled Houses, I haven’t added paths, but I think the green gives a pastoral feel and a sense of companionship.
To see some of the other pieces in this series, you can follow this link. http://sandysnowden.blogspot.co.uk/search/label/Ramshackle

Making the work -

I seldom sketch before working, choosing rather to develop the ideas in my head and then work them out in fabric. But for my ‘Ramshackle’ series I make a little sketch of what I have in mind. It helps me get a better feel of the positioning of the houses.

sketch

To make the Ramshackled Houses I used printed cotton fabrics. The top layer was fused using Misty Fuse before cutting the shapes and positioning them over a dark fabric.


 When everything was arranged to my satisfaction, I fused the pieces into place. After this was the rest of the quilt layers, securing the pieces with straight stitches along edges, further quilting through the layers, and lastly the binding.
And the finished Ramshackled Houses piece I sent to SAQA for the Benefit Auction.



This quilt will be up for auction in section 3 of the Benefit Auction, beginning on Sept. 29th . Help support SAQA, and at the same time build your art quilt collection by bidding often!